Rob wynia wife marriage married-87 Best Floater / Robert Wynia images | Jefferson state, Spokane washington, Dream concert

Floater, a hard-rock band that formed in Eugene 17 years ago and relocated to Portland in , is a fine example. The group's sparse mentions in local media are as likely to write it off as a grunge leftover with an empty-headed fan base as they are to praise its staying power. More often, there's stubborn silence: Floater doesn't get play on popular national music blogs or garner articles in hard-rock magazines, it has never been seriously courted by a major label, and it's largely ignored by regional press and radio; if you call up a record store south of Chico or east of Boise and ask a clerk if he's heard of Floater, you'll probably be greeted with a big fat no. They got no press at all," remembers Seattle's City Arts magazine editor Mark Baumgarten, who worked as WW' s own music editor from to When badgered to give his own opinion on the band's music, Baumgarten admits he hasn't listened much, saying what most critics will only say off the record: "I would talk shit about them all day if I cared.

Rob wynia wife marriage married

Rob wynia wife marriage married

You have run out of free stories. This is Robert Wynia 's basic pedigree chart. This is still fairly complex but it's getting simpler every day. Anyway, Rob is a great bass player. Share on Pinterest. Dave Navarro Brooke Burke. Le Bonheur. Marirage followed notifications.

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The film, set in the s, was principally filmed in New York and Paris. Being John Malkovich. On June 2,Entertainment Weekly reported that in an interview with Ryder in Empire magazine, she revealed that she and Christian Slater will reprise their roles in a sequel to Heathers. These are Floater's people. It takes an elusive maneuver or two to creep slyly away, but eventually we make it back to the motel room. The film, a satirical take on teenage life, revolves around Veronica, who is ultimately forced to choose between the marraige of society and her own heart after her boyfriend, played by Christian Slaterbegins killing off marrief high school students. Inshe returned to the screen Rob wynia wife marriage married a brief hiatus, appearing in high-profile films such as Star Trek. She rose to prominence with starring roles in such films as HeathersMermaidsSaltwater shrimp id Scissorhandsand Bram Stoker's Dracula The band's legacy, of course, has yet to be defined. Deeds with Adam Sandler. October 15, Rob wynia wife marriage married The sun is rising by the time everyone has rolled into the mwrriage for a few hours of sleep. ABC News. Ronnie and Melanie lived wifs Beemer, NE from the time they were married untilwhen they moved to Uehling, NE and lived there until Mark Haverdink will officiate.

Updated: October 28, am.

  • Mass of Christian Burial will be a.
  • Memorial service will be held at AM, Saturday, Nov.
  • Following her film debut in Lucas , Ryder came to attention with her performance in Tim Burton 's Beetlejuice
  • Floater, a hard-rock band that formed in Eugene 17 years ago and relocated to Portland in , is a fine example.
  • .

Apr 26, 1. Apr 7, California. Floater is a Eugene, Oregon based band, if I'm not mistaken. I've heard rumors he was taught by Les Claypool. IMO he is simply an awesome bass player as well as an awesome singer. Highly underrated band IMO. This is my favorite band right now, I'd like to share the wealth, so to speak. May 28, 2. Jun 7, Overland Park, KS. May 28, 3. May 3, Connecticut. Sep 21, 4. Nov 2, Tacoma, WA. My favorite albums are Angels through Alter era especially because the official live albums from that era are devastating after you've familiarized yourself with the original songs.

Amazing live band. Sep 23, 5. Jan 8, Squierville, California. Floater is a great band! I really like them a lot. They started in Eugene and lived there for many years. I used to live in Oregon and worked in the sound crew for a LOT of their shows.

I got to know Rob fairly well because I saw him so often. That began at one of their shows when I was wearing a Dogfish Sound shirt because my band recorded two of our albums there and Rob struck up a conversation with me because they had also recorded there.

Anyway, Rob is a great bass player. He had a bass whose fretboard he gave a thick coating of epoxy because he would play it by hitting the strings with the blade of a screwdriver. That had a really cool sound. It was parked at the owner's house for studio recording. You must log in or sign up to reply here.

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Retrieved April 1, Named after the city of Winona , she was given her middle name, Laura, because of her parents' friendship with Laura Huxley , writer Aldous Huxley 's wife. As the opening band wraps up its set, Wynia is in the makeshift schoolhouse green room talking about a historical novel called The Pillars of the Earth. American actress. The film had been in production since late , but took time to begin principal photography. A funeral service will be held on Wednesday, November 26th at a.

Rob wynia wife marriage married

Rob wynia wife marriage married. Posts navigation

All three men are 40 years old. They communicate with one another in a shorthand composed of technical music talk, inside jokes and quotes from their favorite TV shows. Rounding out the group is tour manager, driver and sound guy Don Lindsey, a self-described asshole who will spend much of the trip talking about cars. This is home. The band pulls out of Portland, Cornett fires up a two-disc collection of Will Ferrell's Saturday Night Live sketches to pass the time, and soon we're driving through Eugene.

The band's creation story is fittingly straightforward. Cornett, new to town after following a girlfriend from his home in the Bay Area to Eugene, liked to read musician-wanted ads for kicks. When he saw Wynia's—which described the singer-bassist's heady classic-rock influences like the Who and Pink Floyd—something clicked. The pair hit it off so well that Wynia helped Cornett land a "shitty job" at the steel factory where he worked.

An empathetic boss let the two store their gear in an unused corner of the factory and jam there at night. Floater was born. Two years later, it was Eugene's hottest band, selling out the capacity WOW Hall with regularity and making small trips up and down I-5 to places like Chico, Calif. The attention from Chico spread to much of the rest of Northern California, and Floater was embraced there as an honorary local band—a title it enjoys to this day.

The mountainous hills outside Nevada City, Calif. A hour drive and a five-hour nap after leaving Portland, and the California sun is beating down as the wagon inches up a hill.

It smells like smoke in the cabin, and the brake lights on the trailer have given out for no discernible reason. This is nowhere, but it's a beautiful sort of nowhere—a skinny, twisting road surrounded by tangles of green and brown underbrush on one side, with ominous walls of rock on the other.

Finally, there's a flat, straight stretch of road. Lindsey backs the trailer down a dirt driveway and parks behind a clearing just smaller than a baseball field. Home plate is a wooden stage where scruffy locals are running cables, climbing ladders and smoking weed on the job. Just up the hill is a schoolhouse built in that serves as a VIP lounge for the band and staff. Hanging overhead as you approach the amphitheater is an imposing vinyl banner that reads, "House of Floater.

All of this may seem like a lot of effort for an evening concert featuring just two bands—Floater and surprisingly good local high-school jam-rock group the Shreds—but promoter Jesse King knows what he's doing.

This is the third annual show he's done here with Floater; the first two were all-day festival-style engagements. It's a cavalcade of metalheads, old hippies and longhaired teens. These are Floater's people. Two giggling teenage girls look a touch out of place, so I ask them how they heard about Floater. As the opening band wraps up its set, Wynia is in the makeshift schoolhouse green room talking about a historical novel called The Pillars of the Earth.

History and politics are two of Wynia's favorite subjects his father was a speechwriter for President Nixon, the junior Wynia tells me later, until the senior Wynia—liberal in his politics—"just couldn't do it anymore".

Amador comes out of the bathroom with dark eyeliner circles around his eyes, silently handing the eyeliner tube to Wynia, who sets it down and continues his excited rant about the book before offering the tube to Cornett who declines on the grounds the audience "won't notice behind my glasses anyway". The eyeliner thing, Wynia tells me later, is part tribute to the film adaptation of the Who's Quadrophenia album.

When the band takes the stage at about 10 pm, the crowd—silhouetted by stage lights in the darkness—is packed in tight and chanting. Scattered puffs of white smoke shoot up into moonlight as Wynia—who has smeared the eyeliner onto his cheeks like a heyday Adam Ant—mouths noises into a talkbox for the Rush-esque opening atmospherics of "Concentrate," the first track on Wake.

Cornett starts in on the djembe drum, and it's clear that things are going to get pretty trippy. But when Amador enters the mix, the song turns to something more akin to a metallic version of Journey's "Don't Stop Believin'. Floater goes on to play its new album front to back, which takes an hour. They are blissfully unaware that their favorite band is treated like a joke by trendsetters in places like Portland and Seattle. Nor would they care if you told them.

The connection between the band and the audience is intense and indivisible—Floater feeds off its crowd, giving as good as it gets. Dancing fans kick up clouds of sweaty dirt and weed smoke as they bounce. When Floater comes off the stage, the trio is buzzing, both with excitement and an unidentified home-brew concoction they call "Janis Juice.

It's like sex. You just have to let it happen, and hopefully they get off and you get off. It's just rock 'n' roll. The sun is rising by the time everyone has rolled into the van for a few hours of sleep.

The venue in Medford is a 34,square-foot bowling alley-turned-youth-arts center called Main 1. Two days from now, Korn will play in the center's gymnasium. The Floater crew doesn't seem too concerned. Neither do the fans already in the building.

When Tallboy's frontman asks the crowd if it's ready for Floater, teenage girls in emo-band T-shirts and fortysomething bikers respond with the same enthusiasm: a roar that reverberates over the backroom television hum.

These are Floater's people, too. While the band's detractors use words like "butt rock" and "grunge" to describe Floater's music, it's actually incredibly hard to pin down the group's sound. While its early albums showed stripes of metal and found the band dabbling in the art of the rock opera, it has since grown to include shades of prog rock, shoegaze and radio pop—even traces of funk and reggae show up Wynia occasionally does his best Bob Marley "Way-ooh, way-ooh-oh-oh," and the crowd responds appropriately.

Steininger, the band's manager, thinks of this as a strength. Floater knows how instrumental playing within a genre can be to a band's success. The trio shared a practice space with the Cherry Poppin' Daddies when the Eugene band's swing single "Zoot Suit Riot" became an international hit in While the Daddies toured worldwide, Floater—whose label, Elemental Records, was more or less a one-man operation—stayed largely in the Northwest.

We never even had a chance to sell out. Like, 'Hey, Rush Limbaugh wants you to play his wedding. While Floater's sound maintains a layer or two of the band's trademark trippy heaviness, its records have grown increasingly pop-friendly over the years. Wake is the most accessible album to date, a feat accomplished by scaling back the samples and ambient noise that often soak up the space between Floater's tracks.

New songs like "Cannonball," "Wondering" and "Matadors" flaunt bouncy riffage that's somewhere between Green Day and the Police. All of these tracks have a heaviness fit for modern-rock radio, and Wynia's singing—earthy, operatic and containing mysterious trace elements of an Irish accent—is a welcome break from the gravelly growlers of Nickelback or Godsmack.

But, so far, no one's really biting. So Floater remains, an oddly fitting sidebar to the hip, young Portland music scene. The fact that it found its first success in the mid-'90s, playing heavy music, compounds the problem.

It means Floater's name is perennially tied to metal and grunge, no matter how its style changes. No," Steininger says. And while the Killers aren't Pitchfork cool or Magnet cool, they sell a crapload of records. Pitchfork cool or no, Medford is hooked.

Again, upward of fans come out to the show—a good showing—and at points it seems as though every member of the audience is jumping up and down. The band has played this town time and time again, and it's built up a cast of regulars. Sean Garland, a year-old who drove to Medford from Northern California to catch the show with his wife, Melinda, and another couple, is one of them.

He first heard the band on a Chico rock station in the mid-'90s. They bonded over the band, and credit it as a building block of their relationship.

After the show, the band and I head out for a drink and accidentally discover Shenanigans, a labyrinthine sports bar featuring a gargantuan patio where every twentysomething in the city seems to be hanging out. Joseph Catholic Cemetery in Granville. Visitation with family present will be Tuesday from p. There will be a parish rosary and a vigil prayer service at 5 p. Joseph Catholic Church in Granville. Visitation will resume one hour prior to the service on Wednesday at the church.

Mark Haverdink will officiate. Visitation with the family will be on Tuesday, from to pm, at the Oolman Funeral Home in Orange City, which is in charge of the arrangements for year-old Marlys Rowenhorst of Orange City.

Margelene F. Her Funeral Service will be A. Friday, September 20, at St. Siby Punnoose officiating. Burial will be in the St. Patrick Catholic Cemetery in Sheldon. Visitation will be after P. Thursday, September 19, at St. Patrick Catholic Church in Sheldon with the family present from — P. A Christian Wake Service will be at P.

Patrick Catholic Church in Sheldon. The Rev. Van Rathbun will officiate. Interment will follow the service at the Hope Cemetery in Hull.

Visitation with the family will be on Tuesday, from pm to pm, at the church. Arrangements are with the Oolman Funeral Home in Hull. Richard Koerselman will officiate. Visitation with the family will be on Saturday, from am to am, at the church. Harlan De Jong and the Rev. Interment will be prior to the service at the Newkirk Cemetery. There will be a family prayer service on Monday, at am, at the church. Funeral services will be a. Saturday, August 24th, at St. John Lutheran Church in Boyden, with Rev.

Mark Lund, officiating. John Lutheran Cemetery at Boyden. Visitation will be Friday, August 23rd from — p. Tom Smith and Rev. Mike Molenaar officiating.

Floater | Music | geertvankesteren.com

Floater, a hard-rock band that formed in Eugene 17 years ago and relocated to Portland in , is a fine example. The group's sparse mentions in local media are as likely to write it off as a grunge leftover with an empty-headed fan base as they are to praise its staying power. More often, there's stubborn silence: Floater doesn't get play on popular national music blogs or garner articles in hard-rock magazines, it has never been seriously courted by a major label, and it's largely ignored by regional press and radio; if you call up a record store south of Chico or east of Boise and ask a clerk if he's heard of Floater, you'll probably be greeted with a big fat no.

They got no press at all," remembers Seattle's City Arts magazine editor Mark Baumgarten, who worked as WW' s own music editor from to When badgered to give his own opinion on the band's music, Baumgarten admits he hasn't listened much, saying what most critics will only say off the record: "I would talk shit about them all day if I cared.

Yet here in the Northwest, Floater is famous. The throwback, semi-theatrical rock group has in the past sold out the 1,capacity Crystal Ballroom two nights in a row. The band's shows are a rite of passage for young Northwest audiences. Perhaps most impressively, Floater can pull into any town off the beaten touring path from Seattle to Northern California—places like Spokane, Bend and Medford—and draw hundreds of rabid fans from age 5 to Jill Rone, a year-old community college student in Medford, is one of them.

She's followed the band—often literally, throughout Oregon and Northern California—for almost a decade. Everything that's pent up—all of that is forgotten and it's just being immersed…being completely overcome. So what if I'm getting the shit kicked out of me in the mosh pit? The Northwest has produced other regionally famous groups over the years, from Paul Revere and the Raiders in the '60s to Floater contemporaries the Cherry Poppin' Daddies pre-"Zoot Suit Riot" in the '90s, but in the Internet age, the phenomenon is getting rarer.

In , Floater is an anomaly. Even frontman Rob Wynia can't quite figure out the band's peculiar place in Northwest music.

Especially after 17 years. It's a mystery. It's a mystery the band needs to unravel soon. Floater's new CD, Wake, is its first major self-financed and self-released album.

The band took out thousands on credit to pay for the disc and the new merchandise accompanying it. Stagnating as a Northwest-only band, Steininger says, isn't an option: "The band realizes that at a certain point, numbers are going to start dwindling. But right now, while Steininger tries to swing licensing deals and contracts with national booking agents, Floater is sticking to what it knows: touring the Northwest.

I spent three days on the road with the band—a routine tour that hit an outdoor festival in Nevada City, Calif. A red-and-white Ford Club Wagon XL—'95 or '96, no one's quite sure—and its attached stubby, foot-long black trailer waits for its pilots in a puddle-pocked strip of grass in front of Dave Amador's home just off Southeast 82nd Avenue.

Today the wagon's passengers are Amador, the group's olive-skinned, neatly groomed guitarist; frontman Wynia, who just dug a rust-stained white Aussie explorer's cap from a box in the trailer and said, "Ah, sweet! All three men are 40 years old. They communicate with one another in a shorthand composed of technical music talk, inside jokes and quotes from their favorite TV shows. Rounding out the group is tour manager, driver and sound guy Don Lindsey, a self-described asshole who will spend much of the trip talking about cars.

This is home. The band pulls out of Portland, Cornett fires up a two-disc collection of Will Ferrell's Saturday Night Live sketches to pass the time, and soon we're driving through Eugene. The band's creation story is fittingly straightforward. Cornett, new to town after following a girlfriend from his home in the Bay Area to Eugene, liked to read musician-wanted ads for kicks. When he saw Wynia's—which described the singer-bassist's heady classic-rock influences like the Who and Pink Floyd—something clicked.

The pair hit it off so well that Wynia helped Cornett land a "shitty job" at the steel factory where he worked. An empathetic boss let the two store their gear in an unused corner of the factory and jam there at night. Floater was born.

Two years later, it was Eugene's hottest band, selling out the capacity WOW Hall with regularity and making small trips up and down I-5 to places like Chico, Calif. The attention from Chico spread to much of the rest of Northern California, and Floater was embraced there as an honorary local band—a title it enjoys to this day. The mountainous hills outside Nevada City, Calif. A hour drive and a five-hour nap after leaving Portland, and the California sun is beating down as the wagon inches up a hill.

It smells like smoke in the cabin, and the brake lights on the trailer have given out for no discernible reason. This is nowhere, but it's a beautiful sort of nowhere—a skinny, twisting road surrounded by tangles of green and brown underbrush on one side, with ominous walls of rock on the other.

Finally, there's a flat, straight stretch of road. Lindsey backs the trailer down a dirt driveway and parks behind a clearing just smaller than a baseball field. Home plate is a wooden stage where scruffy locals are running cables, climbing ladders and smoking weed on the job.

Just up the hill is a schoolhouse built in that serves as a VIP lounge for the band and staff. Hanging overhead as you approach the amphitheater is an imposing vinyl banner that reads, "House of Floater. All of this may seem like a lot of effort for an evening concert featuring just two bands—Floater and surprisingly good local high-school jam-rock group the Shreds—but promoter Jesse King knows what he's doing.

This is the third annual show he's done here with Floater; the first two were all-day festival-style engagements. It's a cavalcade of metalheads, old hippies and longhaired teens. These are Floater's people. Two giggling teenage girls look a touch out of place, so I ask them how they heard about Floater. As the opening band wraps up its set, Wynia is in the makeshift schoolhouse green room talking about a historical novel called The Pillars of the Earth.

History and politics are two of Wynia's favorite subjects his father was a speechwriter for President Nixon, the junior Wynia tells me later, until the senior Wynia—liberal in his politics—"just couldn't do it anymore". Amador comes out of the bathroom with dark eyeliner circles around his eyes, silently handing the eyeliner tube to Wynia, who sets it down and continues his excited rant about the book before offering the tube to Cornett who declines on the grounds the audience "won't notice behind my glasses anyway".

The eyeliner thing, Wynia tells me later, is part tribute to the film adaptation of the Who's Quadrophenia album. When the band takes the stage at about 10 pm, the crowd—silhouetted by stage lights in the darkness—is packed in tight and chanting. Scattered puffs of white smoke shoot up into moonlight as Wynia—who has smeared the eyeliner onto his cheeks like a heyday Adam Ant—mouths noises into a talkbox for the Rush-esque opening atmospherics of "Concentrate," the first track on Wake.

Cornett starts in on the djembe drum, and it's clear that things are going to get pretty trippy. But when Amador enters the mix, the song turns to something more akin to a metallic version of Journey's "Don't Stop Believin'.

Floater goes on to play its new album front to back, which takes an hour. They are blissfully unaware that their favorite band is treated like a joke by trendsetters in places like Portland and Seattle. Nor would they care if you told them. The connection between the band and the audience is intense and indivisible—Floater feeds off its crowd, giving as good as it gets.

Dancing fans kick up clouds of sweaty dirt and weed smoke as they bounce. When Floater comes off the stage, the trio is buzzing, both with excitement and an unidentified home-brew concoction they call "Janis Juice. It's like sex. You just have to let it happen, and hopefully they get off and you get off. It's just rock 'n' roll. The sun is rising by the time everyone has rolled into the van for a few hours of sleep. The venue in Medford is a 34,square-foot bowling alley-turned-youth-arts center called Main 1.

Two days from now, Korn will play in the center's gymnasium. The Floater crew doesn't seem too concerned. Neither do the fans already in the building. When Tallboy's frontman asks the crowd if it's ready for Floater, teenage girls in emo-band T-shirts and fortysomething bikers respond with the same enthusiasm: a roar that reverberates over the backroom television hum. These are Floater's people, too. While the band's detractors use words like "butt rock" and "grunge" to describe Floater's music, it's actually incredibly hard to pin down the group's sound.

While its early albums showed stripes of metal and found the band dabbling in the art of the rock opera, it has since grown to include shades of prog rock, shoegaze and radio pop—even traces of funk and reggae show up Wynia occasionally does his best Bob Marley "Way-ooh, way-ooh-oh-oh," and the crowd responds appropriately. Steininger, the band's manager, thinks of this as a strength.

Floater knows how instrumental playing within a genre can be to a band's success. The trio shared a practice space with the Cherry Poppin' Daddies when the Eugene band's swing single "Zoot Suit Riot" became an international hit in While the Daddies toured worldwide, Floater—whose label, Elemental Records, was more or less a one-man operation—stayed largely in the Northwest. We never even had a chance to sell out. Like, 'Hey, Rush Limbaugh wants you to play his wedding.

While Floater's sound maintains a layer or two of the band's trademark trippy heaviness, its records have grown increasingly pop-friendly over the years.

Wake is the most accessible album to date, a feat accomplished by scaling back the samples and ambient noise that often soak up the space between Floater's tracks. New songs like "Cannonball," "Wondering" and "Matadors" flaunt bouncy riffage that's somewhere between Green Day and the Police. All of these tracks have a heaviness fit for modern-rock radio, and Wynia's singing—earthy, operatic and containing mysterious trace elements of an Irish accent—is a welcome break from the gravelly growlers of Nickelback or Godsmack.

But, so far, no one's really biting. So Floater remains, an oddly fitting sidebar to the hip, young Portland music scene. The fact that it found its first success in the mid-'90s, playing heavy music, compounds the problem.

It means Floater's name is perennially tied to metal and grunge, no matter how its style changes. No," Steininger says. And while the Killers aren't Pitchfork cool or Magnet cool, they sell a crapload of records. Pitchfork cool or no, Medford is hooked. Again, upward of fans come out to the show—a good showing—and at points it seems as though every member of the audience is jumping up and down. The band has played this town time and time again, and it's built up a cast of regulars.

Sean Garland, a year-old who drove to Medford from Northern California to catch the show with his wife, Melinda, and another couple, is one of them.

Rob wynia wife marriage married

Rob wynia wife marriage married

Rob wynia wife marriage married